The style of these 10 productions varies. This is one of the elements Breigleb mentioned that encourage the Theatertreffen to focus on new representations of theatre other than its conventional narrative, though the convention is still respected. In Drei Schwestern , as the house is revolved during the show, actors act in the house in a very naturalistic way, thus the audience can experience something that is more cinematic as well as multi-focus.
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By merging choral singing as the main body of the piece, with multi-media and post-modern delivery of the text, it pushes the audience to imagine the feelings of the characters as a whole, rather than to tell the audience what the story is about. With spectacular scene changes, both of the productions manifest, or to say reimagine, a form of storytelling that defies what theatre supposed to be, but to enhance what theatre can give to the audience. Yet, it is unsubtle to see that most of the productions have the undertones to express political and social issues.
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Five Easy Pieces directly discusses a controversial topic of child-murder with the documentary theatre form. Thus, during the seminar, the topic of political theatre is discussed, and as the current political situation in Hong Kong as well as the narrowing of censorship, some of the participants and artists attended were stressing their concern on whether Hong Kong does have a future to do theatre with a strong political aspect.
Some said that it is hopeless to do theatre as the censorship is just so defeating, while some others said that theatre is always linked with politics, but it is the way of how one can do theatre under heavy censorship. Personally, I think this is not just a situation that only Hong Kong needs to concern about.
The political turmoil around the world does affect some aspect of freedom of speech, and as a theatre artist, I think this is the time for artists to create theatre that really concerns us, both politically and personally. The point is how to balance it between art and activism. In the seminar, Breigleb stressed that he firmly believes that theatre should not change the world. What he means is that theatre should not be activism, but it should have the spirit to voice for activism, thus it is still an art, to liberate people to think.
As for the 10 productions selected, not all the productions were fonded by all the juries.
One controversial production is Die Borderline Prozession , which Breigleb could not stress enough of how he dislikes the production, thinking that it is old-fashion as he has already seen a lot of similar productions just like that. In the seminar, participants also had a distinctive mixed feeling about this production.
Some of them loved it, while some of them hated it so much. This inspires me to question on the mechanism of how were the 10 productions selected if there was a divided perspective among the juries towards a show? Photo Credit: Birgit Hupfeld. Set up My libraries How do I set up "My libraries"? The University of Melbourne Library.go to link
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